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https://www.ibc.org/news/nikon-acquires-red-digital-cinema-cameras/10784.article https://britishcinematographer.co.uk/red-digital-cinema-announces-it-will-be-acquired-by-nikon-corporation/
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Hi ! I need your help and knowledge I own a leicaflex SL and the Sl 2 black. The leicaflex SL that I own is in really neat condition but the weak part of those model is the red plastic lens lock button. And this piece snapped in two this week. (see pictures attached). The screw and the sping attached to the red button are intact. (see pictures) I am looking for a replacement' s piece, I do know it's a common thing on those model to have this weak part to snap. I read somewhere that a METAL LENS LOCK BUTTON has been created and distributed for the Leica SL as a replacement for this common issue. But i can't seem to easily find it online (US or EUROPE market - I'm From France). Do you guys know where I can find a spare leicaflex lens lock button ? Is there a 3D printed 's piece maybe ? If someone is recreating leica pieces through 3d model to share Thanks a million ! Regards B.
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Just got my M10 and have been somewhat disappointed by the colors. In some circumstances, they’re absolutely great. In others (and shooting situations which I frequently shoot - backlit subjects who have lighter skin tones), they fall apart when I do any serious color grading. I’ve attached a link for reference. Notice the majority of influence over the skin tones is determined by the purple slider. In my experience on professional Canon systems (as well as Fuji), skin tones are generally captured in the Oranges, Reds, and Yellows. On occasion, I’ve noticed them “bleeding” into the Purples/Magentas, but generally it’s an easy correction with a hue adjustment toward red in Lightroom. This has happened more on my Fuji gear than my Canon, which I thought was just a product of the XTRANS. Images for reference. Note: I’ve increased each slider to 100 to illustrate the influence of the respective slider, not as an artistic decision. https://imgur.com/gallery/mFTvTGz I’ve had to do more “additive” color editing (color grading with added oranges/yellows in the mid tones) to get even close to the effect I desire to be consistent with my professional body of work, but it’s tedious and feels more like a workaround as opposed to simply a different process. Is this a hallmark of these sensors? Has anyone else had an issue with skin tones merging into the purples? The issue here is that it doesn’t give me precise and consistent control over tonalities which are consistent with my other work. Not only that, but as opposed to adjusting a couple of sliders to produce the look, I’m adjusting literally three times more to try and get close and, eventually compromise, on the desired look. Also, here is an attached photo with the exposure info as well as histogram illustrating that I’m shooting at base ISO, and exposed with the limitations of the M10 sensor in mind. https://imgur.com/gallery/v2EPnGf I want to add that I’ve been shooting for over a decade. This certainly isn’t my first rodeo. The only thing left for me to try is making my own custom color profile, but in over a decade of shooting, this has never been a requisite to get the colors I want out of my photos. Does the M10-R improve on any of these shortcomings? Also, I want to preempt against any comments telling me I’m just confused or apologetics from Leica koolaid mixers. I’ve read some responses on this forum before from some of them and they seem to be obstinately opposed to the notion that perhaps the sensors in these cameras aren’t as good. While DXOMark gives the M10 a higher overall score than my 6D, in my experience, the colors are more pliable. Finally, my artistic discretion is going to differ from yours. I have seen a lot of photos posted here in discussion which are also effectively SOOC, with minimal correction. I have a stylized look I go for, which requires flexible colors.
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Did you need the yellow filter for the clouds? Could similar or same be achieved post? Having specified a Q2M I wonder whether I should be looking out to fit yellow or orange glass in front of all that nice Q2M design?
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Gives the term "red scale elmar" a whole new meaning! Distance seems to be in both feet and meters? I guess you can get these "reproductions" in what ever color you want.
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I am working on my colour street photography at the moment and quite like this from yesterday. Leica M240 + 50mm f1.5 lens Gerry
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Taken in Barcelona on La Rambla. Leica M9 with Zeiss 50mm Sonnar f1.5 @ 400iso. Gerry
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It was time for a selfie with the CL and some off camera flashes.🤣 Nobody home to help out, remote app not working with CL, Godox trigger and Voigtländer lens. Back to self timer and guessing position in front of lens.© Rudi Poppes
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At the Capucins station of the Télépherique in the military port of Brest. M + Summilux 50/1.4 Asph. Bien à vous.
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From the album: London 2016
© www.andrea-schneider.eu
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Celebrating the first Pride Parade in Southampton for 15 years, this transgender person is happy to be photographed. Although the first Gay pride rally was held in London in 1972 many smaller cities in the United Kingdom have been slow in celebrating LGBT diversity, but with a large student population Southampton has finally caught up with modern thinking at a colourful fun-filled event. I was on the lookout also for photos for the National geographic assignment about hair, and felt this fitted the bill. Taken using an M9 with 35mm Summitar f2.5. Gerry
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Sometimes if the weather is prmising I drive up to my secret small place at a peat bog lake. It is very small and one can spend there a couple of hours sitting on a campstool, watching geese,swallows catching flies and watch people on their small boats. Leica Q, 4 shots, handheld
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these little red poisonous wands were scattered on the ground whee a low fading sunlight did let them glow for a moment. Leica Q, macro mode
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There is entertainment everywhere for the crowd. Olympus EM 5 with Nocticron
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From the album: Rural Oxfordshire
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From the album: Narcism
© (c)UPP
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From the album: Pix from the Q
© Henrik Palshøj
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The Blue Hour was promising after a couple of days with cotinuous rain and gry depressing sky. A few nice bylanes with historic buildings we have and at this hour nobody was there and I enjoyed the tranquil atmosphere. 2.0 - 1/50- ISO 800 Leica Q
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I took this on a visit to the Forbidden City in Beijing in 1998 and this is a scan from the original Velvia transparency. I used a Leica M6 back then, and this was probably taken with the 50mm Summicron f2 but I have no exposure details. It forms part of a gallery of Beijing images in a gallery which I am gradually adding to and can be viewed at http://archive.gwpics.com/gallery/Beijing-1998/G00001zr0M27_Rk4 Thanks for looking. Gerry
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In our city we have a nice Christmas Market and I go there often (every year with a new camera as it seems) to shoot my Christmas Cards. That day it rained but it did no harm to the Q although it god a bit wet and had to be wiped a few times.
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From the album: Graffiti
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This park, as mentioned before, is on my way to my office. These days I take my little X1 with me very often, for every days provides a different quality of light. Tghere is a pond and a wonderfule delcate littel Japanese Maple Tree with a wonderful red dress. X1
