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Showing results for tags 'Film'.
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This was just a lucky capture whilst planning to photograph just the building - sometimes luck is on your side. Taken in Paris in 2002 using an M6 with 50mm Summicron f2 and T400CN film.
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I took this on a trip to Beijing in 1998 using my M6, and I have just scanned it to give it a new life. I am sorry but I have no details stored with the original, but can say that it was taken on Fuji RDP 100iso film. I hope you like it! Gerry
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I am scanning some T-Max400CN taken back in the year 2000 using my M6, and I am working through some work I did in Paris that year. I am pretty sure this was taken with the 50mm Summicron f2. I hope you like it. Gerry
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After owning the MP for about a year I decided to write some of my experiences with this camera, and with film cameras and the film process as a whole. Check it out: http://indergaard.net/2016/02/26/leica-mp-review/
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'Alices Adventures in Wonderland' based on the wonderful children's books by Lewis Carroll (Taken in Southampton, England), this was taken on a Leica M7 with 35mm Summarit lens. Film was Fuji Neopan 400CN commercially processed and scanned using Silverfast. Gerry
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Hallo allerseits, vielleicht ist die Frage weit hergeholt, aber wenn ich Sie nicht stelle, kann ich auch keine Antwort bekommen. Nach meiner letzten Fototour mit meiner M4-P stellte ich mir folgende Frage: Gibt es Objektiv-Film Kombinationen, die Ihr/wir bevorzugen bzw. die besser oder schlechter funtionieren? Beim Durchstöbern des Analog-Forums habe ich nichts adäquates gefunden. Sicherlich ist es subjektiv, aber bei den vielen möglichkeiten an Objektiven bei gleicher Brennweite in der Historie von Leica, wäre es interessant zu erfahren, wer mit der einen oder anderen Objektiv-Film Kombination welche Erfahrungen gemacht hat. Es wäre toll, wenn ihr mit Bildbeweis antworten könntet um eure Argumentation pro/con eurer Objektiv-Film Kombinationen bildlich zu untermauern. Freue mich auf eure Inspirationen. Und nun allzeit gut Licht und Korn! Gruß Michael
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Offenbach, Bismarckstraße #1 by Herr Sharif, auf Flickr Leica Standard, Elmar 3.5/50, Trix! Sharif
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I am looking for recommendations on on good photo labs in Germany. I need C-41 development and scan, mostly 35mm but also medium format. I don't need some exclusive high end labs, but also don't want to send my film to the corner drugstore photo lab. Any recommendations please. Thank you!
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Comeback?? Film photography never went anywhere to begin with! I will always remember the first time a tech head kind of photographer declared to me that "film is dead" and that it was only a matter of time until you wouldn't be able to buy film anywhere or have it processed. It was July of 1997.
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Taken back in 1998 using a Leica M6 with 50mm Summicron-M f2 and Fuji Provia film. Recently scanned and post-processed in LRCC Gerry
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Interesting article; I guess I can stop fretting about what kind of results I will get when I process my backlog of now expired but already shot film...- 3 replies
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Hallo zusammen, gibt es hier zufällig noch jemanden, der Spaß am Filmen hat und dieses Hobby auch schon mal mit seiner Leica Q näher verfolgt hat? Oder kennt vielleicht wer andere Foren in denen dieses Thema schon einmal erörtert wurde? Mir ist bewusst, dass die Leica Q in erster Linie auf das Fotografieren ausgerichtet wurde (zumindest bis jetzt)... Theoretisch hat sie es ja technisch drauf und mit dem 28mm bei der Lichtstärke und einem Vollformat Sensor in der Package ließen sich echt tolle Filmchen machen. Was ich absolut nicht verstehen kann: Warum darf ich als Nutzer der Leica Q Handy App im Video Modus ALLE Belichtungseinstellungen manuell vornehmen, nur nicht direkt an der Kamera? Warum werde ich dadurch außerdem gezwungen mir das Bild auf dem per WLAN gepairten Handy anzuschauen statt durch den integrierten Sucher oder den Kamera Bildschirm (mit Lag)? WARUM??? Mit dem Handy ist ja super wenn ich eine Stadicam benutze. Von daher gibt's für dieses Feature definitiv schon mal 100 Punkte von mir. Aber dann doch bitte bitte auch direkt an der Kamera...! Liebes Support Team bei LEICA: Bitte kommt endlich mit einem vernünftigen Firmware Update um die Ecke! Die Kamera kann so viel mehr
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In this article, the author makes the claim that "A digital camera would have to be 156 megapixels to give you the same kind of detail as 35mm film." That may be true from a technical point based solely on counting line pairs; in my experience, it does not seem to translate in terms of printed image quality. Thoughts? http://istillshootfilm.org/post/114131916747/the-real-resolution-of-film-vs-digital?utm_content=buffer55d85&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer
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Festival Times - Hindu Temple Leica M6TTL 35Lux FLE
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I purchased a new Leica MP some time ago, and I've been seeing bright stripes on my scans frequently ever since. I assumed it was the scanner - dust on the glass or the sensor or something similar. Recently my wife started scanning her negatives however, and she has a Leica MP too, albeit a n older one. She did not get the same bright stripes in the scans as I do. Our development process is the same. The same gear is used. A lot of our film are even developed together at the same time in the same tank, and for our color films the same lab has developed them. It happens with all the film I've tried: TX400, HP5+, Silvermax 100, Acros 100, Portra 400, Superia 200, Fuji Pro 400h, etc. So I recently started to inspect my negatives, and to my surprise there is a dark stripe on them, that matches what I'm seeing in the scans. I've checked the back plate of the camera, and it's clean without any sharp edges as far as I can see or feel. I've attached a few images that clearly shows the stripes on the negatives and how the scans looks. Does anyone have any idea what this could be caused by? Negative: Scans:
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An der Werse bei Münster in Westfalen. An der Werse #2 by Herr Sharif, auf Flickr An der Werse #1 by Herr Sharif, auf Flickr Leica M2, Zeiss C-Biogon 2.8/35, Adox CHS 100 II, 12 min in Rodinal, Scan mit Plustek Opticfilm 7600 und Vuescan Sharif
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At a museum a couple of weeks ago This jet looks small in the front view here, there's more info in the Wikipedia: Saab JAS 39 Gripen M7 Summicron-M 50/2 Ilford XP2
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Various flowers in the city park a couple of weeks ago M7 Summicron-M 50/2 Fujifilm Superia 200
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From the album: Paris I remember
© garyvaneijk2011
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From the album: Paris I remember
© garyvaneijk2011
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From the album: Paris I remember
© garyvaneijk2011
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From the album: Paris I remember
© garyvaneijk2011
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From the album: Trees
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Hello, does anyone here have experience with this film? http://www.japanexposures.com/shop/film-analog/fujicolor-industrial-100-135-36-100-pack.htm Is it comparable with Reala or Superia? Or like a low cost film like the C200? Regards Frank
