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"Scanning" old film shots with the BEOON, the photo below made me think that its worthwhile to shoot transparency film occasionally: had I shot this with the M10, I would have underexposed by ⅔rds of a stop and lifted the shadows enough to show some detail inside the doorway; but in the Ektachrome slide there is no detail in the deep shadow — and there's the rapid fallout of light in the top-right of the frame, under the roof of the verandah we're standing on. This dark area is what accentuates the color of the shot. Color negative film would, in this shot, also not have the same look. So, shooting this with the M10, you would to have to be very conscious of wanting this light fall-off. My feeling is that if you shoot and scan transparency film occasionally, you can keep this look in mind much more easily when you process a digital shot. I should add that digitalizing slides with the M10 on the BEOON is fast and easy. My feeling is that the dynamic range of the M10 handles even dense slide easily, and most of the file only a little adjustment in LR is needed. M6 | Summicron 35v4 | Ektachrome E100S Wiang Pa Pao _________________ Alone in Bangkok essay on BURN Magazine
