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Found 13 results

  1. Zabriskie Point is one of Death Valley's most famous spots; here's Manley Beacon's ridge just after sunrise under a stormy sky. With the Leica M-P (Typ 240) and the 35mm Summilux FLE. Best, Vieri
  2. Beautiful Mesquite Dunes, in Death Valley (USA), are always a great source of inspiration for me and lend themselves to long exposure abstract images perfectly. Leica SL, Voigtlander 15mm, Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  3. Badwater, in Death Valley, and its amazing salt polygons are a sight to behold and offer never ending inspiration for different compositions. Leica SL, Voigtlander 15mm v. III, Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  4. "The end of the line", shot in Death Valley (USA) with the Leica S and Summarit-S 35mm. The drive to the Racetrack can be a bit taxing, especially if you don't have the right car for it, but it definitely worth it: such an amazing place, not to be missed! Thanks for viewing, best regards Vieri
  5. The Racetrack, in Death Valley, where the stones travel by themselves, is an incredible location. The long off-road drive to get there is definitely worth it: seeing and photographing these stones with their trails is magic, every time. Leica SL (Typ 601) and Voigtlander 15mm. Thank you for viewing, best regards Vieri
  6. I love Badwater in Death Valley: it's an extraordinary location, its landscapes are ever changing and with a sunset storm the light there becomes really magic. Leica S (Typ 007), Leica Vario-Elmar-S 30-90mm. Thanks for viewing, best regards Vieri
  7. This winter in Death Valley I was lucky to get two (!) rainstorms in a few days. When it rains on some of the driest landscapes on Earth, the landscape change in ways unimaginable when you see it dry: here you can see Cottonball Marsh turned into a spectacular lake at sunset. Leica SL (Typ 601) and Voigtlander 15mm. Thanks for viewing, best regards Vieri
  8. An amazing pastel cloudy sky over Manly Beacon, at Zabriskie Point in Death Valley NP, just before sunrise. With the Leica SL and the Voigtlander 15mm v. III. Thanks for viewing, best regards Vieri
  9. A stormy sunrise in Badwater, taken during one of my Death Valley Workshops last January. With the Leica S (007), Leica Super-Elmar-S 24mm and Formatt-Hitech FIrecrest Filters. Thank you for viewing, best regards Vieri
  10. "Badwater, IV" from Death Valley, USA. Leica SL, Voigtlander 15mm v. III. Thanks for viewing, best Vieri
  11. A burning sunset sky over the Racetrack, a 20-seconds exposure taken in amazing Death Valley (CA), USA, during a workshop I led there last winter. Leica SL, Leica Vario-Elmarit-SL 24-90mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  12. Sunset in Badwater, a 2-minutes exposure taken in Death Valley (CA), USA, during a workshop I led there last winter. Leica M10, Voigtlander 15mm Super-Wide Heliar, filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
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