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Showing results for tags 'Carl Zeiss'.
Hi all, I have been reading on this forum for a long time, but never posted before, so first let me introduce myself. My name is Ole, I am from Norway, and I have been into photography for nearly a decade. Hence, I am still a junior:) A month ago I both my first Leica film camera, a nearly mint M3 from 1966. I love shooting with 50mm, so when deciding between an M2, M3 and M6 the choice was easy. I also have an M246 which I couldn't be more happy with. In addition, I have a Sony A7 for convenience, and because my wife forbids me from selling it ("we need a camera that can take colour photos of our future kids"). Yes, we are expecting one later this year:) Moving on. When I bought the M246 I quickly opted for the Zeiss C Biogon 21/4.5 as my UWA. My rationale was that this lens would give me what I needed for the least amount of $$$. The colour issues are not a problem on the M246, and the lens have plenty of qualities. In fact, in many ways its a real gem - small, nearly zero distortion, and plenty of sharpness in central and midfield areas. Towards the edges the sharpness drops rather quickly though. And, as many of you know, the lens vignettes A LOT. On a digital camera with a histogram I can overcome this. But what about on a film camera? Have any of you used this lens on a film camera, and how do you usually expose? Does it vignette as much on film as it does on a digital camera? I know, the best way to find out is to go out and test, which I will do as soon as I get 21mm viewfinder. But until then it would be very nice to hear your experiences with this little gem:) Thanks for reading. All the best, Ole
I would like to know what you think or know about this carl zeiss optics for leica m, since it is a rare piece and I can not find information, I show you the design of lenses, which I found very strange, since it consists of only two elements. .. Thank you