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Found 14 results

  1. I shot with Canon 5Ds until about 3 years ago when I went for a dalliance with Fuji then let my heart take over and invested heavily in the Leica M series. My first lens was the Summicron 50mm an ex demo but mint condition from Classic Cameras in London. Before this my goto focal length was between 80mm and 200mm with a canon 85mm 1.8 my favourite (there is a faster 85mm but the difference in IQ is not worth the extra money). My second lens was the Leica 90mm Summicron APO - obviously going to be my favourite lens...... errr no I have used it a couple of times on Weddings but seem to go bac
  2. Happiness is priceless! <Shenzhen, China @ 2013> Tri-X-20130203-50S by TerenceYam, on Flickr
  3. Shooting people and scenery on Lake Como last Sunday. It was quite windy. Equipment: M9 + 50 lux (asph) on the boat and 35 cron (asph) on land. Thank you for watching.
  4. Hallo Forum! Mit einer neuen M-E werde ich demnächst von der X1 in der Leica-Welt aufsteigen. Erste Tests mit einer M-E und dem 35er Summarit-M haben spass gemacht. Das Prinzip Messsucher passt mir gut. Nur jetzt bin ich im Dilemma. Da ich über die Zeit wahrscheinlich ein zweites oder evtl. sogar ein drittes Objektiv kaufen werde, kann ich mich für den Start nicht entscheiden und brauche Eure Hilfe. Ich denke mal, für meine Einsatzzwecke Event-, Reise- & Street-Fotografie werde ich am Ende bei 35, 50 und 90 mm ankommen. Jetzt ist aber finanziell nur ein Objektiv drin. Hier bietet s
  5. Next shot from the streets of Hoi An, this time with artificial light. M9 + 50mm Summilux @ 1250 ISO
  6. 'Artisans d'Angkor' is a workshop in Siem Reap, the city nearby the historical site of Angkor Wat in Cambodia. The workers there make Khmer art in a traditional way. The artworks are sold to tourists, but not at rip-off prices. It may not seem that way because in comparison to many other workshops these artworks are actually quite expensive. But that is because the workers are given a decent wage, and the materials are of the best quality. The organisation are also socially engaged: they educate and employ those who are having difficulties finding a job, like deaf people. At least, that's
  7. A walk in the woods in west central Virginia. M9 50mm pre asph summilux, .5 sec f16 Many thanks for looking and especially for your comments.
  8. While on a woodland walk... the day was overcast and on turning around ready to go home a break in the clouds allowed for a small pool of dappled light to illuminate this small berry bush. Really quiet dramatic. Very much in the spirit of this seasion. Many thanks for looking and for your comments.
  9. We drove down US I-81 and stopped to the Natural Bridge... once considered with Niagara Falls as among the natural wonders of the USA. It has been well photographed in the past especially from the side represented in the image below. The bridge is over 200 feet tall and once formed the roof of a huge cavern system through which a river ran. If I lived in the area I think I would try to photograph the bridge in all seasons and in varied weather conditions (snow, fog)... perhaps at sunset as well... although it is dark in the valley. Thanks for looking and for comments as well.
  10. I was recently in the United States and made this 4 image stitched pano of Rockfish Gap in West Central Virginia. To the north lies Skyline drive and to the south, the Blue Ridge Parkway... both very scenic. The gap depicted here was a major path through the mountains to western settlement in the 1700's. Many thanks for looking and comments.
  11. In Charlottesville Virginia, the University is lit and heated by means of a coal fired plant. It is one of 60 such plants located on university property and operated by a university in the USA. As one might imagine it is the source of considerable opposition from environmental groups. Photographically it is a dramatic structure and at night illuminated and clearly visible from the main drag in town makes for a powerful photo opportunity. Thanks for looking and for your comments.
  12. Hi, Im a real beginner in the world of rangefinders and Leica but I'm lucky enough to now own a M9 with a 35mm f2 asph and a 50mm f1.4 asph. I'm loving it but I think I have a problem with the 50mm, it is new but after reading some reviews and this forum I think I have a calibration issue? Am I doing anything wrong or does it look like I have to send it off for fixing? The snaps on this quick site show some results first with the 35mm which seem ok with my limited manual focusing experience but then using the same technique the 50mm is way off? Lens detection is set to auto. The glasses in the
  13. I just got my M9 on Monday and, as a novice to both rangefinders and Leica, well what can I say? You're all extremely fortunate! My lens choice was mostly influenced by the opinion of Steve Huff and Ken Rockwell. So I went for a used 35mm Cron and a new 50 Lux. But I'm surprised now many advise against this on this forum, preferring a 28 alongside a 50 (not that I see anything wrong in this). Me, I'm enjoying the combo immensely: 35 just feels "right" and it's scope allows you to tell a story or convey intimacy - It feels like you're placing the viewer in your shoes. Yes the fifty's focal
  14. I've been dreaming of owning a Leica M for many years, and when the M9 was announced I thought it might finally be time. But the M9 and couple of lenses is going to cost way more than I can afford. I considered for a while buying an M9 and then getting a couple of Voitlander lenses. Making the package more affordable. But then after consideration I thought perhaps it would be best to spend my money on some mint 'used' Leica glass (28mm Cron and 50mm 1.4 Lux ASHP) and then maybe purchase a used / demo / new M8 (I'm looking at a 'shop handled' M8 for $US3200). The idea being I would hav
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