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Showing results for tags '50'.
Found 12 results
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Na gut, dann mal Kaviar: Grüße von Kalle
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Hi all. I always want to take photos, and I try to bring always the camera with me, to shoot and be happy 🙂. Sometimes, due to the pandemic, it's not the right moment to shoot, mainly because many people in Mexico don't care and don't wear a mask. I don't want to risk just for the pleasure of doing some street photography. Does it make sense? Every time I do out, I bring the camera with me, and while driving (in a safe way), I shoot from the window of my car at 30km/h approx. I use hyperfocal, practically point & shoot. When I'm lucky, my wife (and sometimes even my old dog) join me. And I don't drive 😂 but shoot 🙌 Sometimes from the passenger seat, some time on the back of the car. Depending on if you see the lateral rearview mirror, and/or the car frame window in the composition. Everything happens so fast, the car can't stop, and I have to focus quickly. I used zone focusing sometimes, and sometimes manually, depending on the situation. I would like to share with you this micro essay, to show a portrait of a Mexican city during these times, to use more my M10, in pursuit of mastering focus 😬 Sometimes I see a situation with superpotential, where I would love to stop the car and go out and compose well. But this is what the essay is about. Never stops the car and try to tell a story, or take just honest street photography. That's it. M10 + 35mm 2.8 Biogon + 50 Cron V + Photo Mechanic + Capture One + JpegMini P.s. You can see my gray pick up car in the photos sometimes 🤷♂️ Good vibes
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Please share your opinion - if you have used or owned both lenses or any opinion on the topic. Mostly interested in comparison of render, sharpness, bokeh, pop etc. according to you - digital sensor or film. Early reports indicated the Hexanons were inferior. According to LHSA "some Hexanon early samples were reported to have focusing discrepancies, long since resolved, and that adversely affected initial sales. The current consensus: Konica KM and Leica M lenses, even those with longer focal lengths and wider apertures, can be used interchangeably on both cameras without problems." Lots of posts ot the tiny flange difference between the cameras, but here we discuss the lens. Mr. Rockwell even went as far as comparing the build of Summicron 50 (V) to the Hexanon-M 50 side by side and they indeed look almost identical. Check the pic on his webpage under the Hexanon topic. I have recently acquired a Hexanon-M 50/2 (photographed below on my M) and it is a stellar performer, slightly better wide open (especially corners) compared to Summicron M 50/2 (IV) in all the tests I did. YMMV.
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This advert is COMPLETED!
- For Sale
- Used
Das Objektiv befindet sich in einem guten gebrauchten Zustand und ist voll funktionsfähig. Es ist frei von Schimmel oder Staub, die Mechanik läuft weich. Die Gegenlichtblende hat einen leichten Farbabrieb. Im Kaufpreis enthalten sind das Objektiv, Front- & Rückdeckel, Original-Lederköcher, Originalverpackung sowie alle Originalunterlagen. Der Versand erfolgt versichert mit DHL. PayPal ist möglich, allerdings trägt der Käufer die Gebühren. Bei Fragen gern mailen.2,500.00 EUR
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Street Musician, Piccadilly, London
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Leica T + 50mm f/1.4 Summilux-M ASPH ISO 400, f1.4, 1/160 "Illuminated Humans"
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This advert is COMPLETED!
- Wanted
- Used
I am looking for a Summilux M 50mm f/1.4 ASPH black chrome edition lens. I have a like new Rolleiflex FW with W-Apogon 4/50 lens to trade. This is the exact same lens as the Schneider Super Angulon 4/50 with HFT multicoating used on early production FW cameras, with the name changed for licensing reasons. From the serial number, I believe the camera is from very late, near the end of their production of TLR cameras. Probably 2012. The styling and black leatherette covering are the same as used on the last model Rollei/DHW made, the highly collectible FX-N. A new original strap is included. The camera has seen very little and careful use. Comes with box, manual and inspection certificate. Great camera, but want to get back into Leica M. I also have a near new Rollei lens shade and a new Rollei/DW Photo 45-degree prism available for the camera. The camera was purchased from Shouten Select. The prism was purchased from Leica Store Lisse/Photo Henny Hoogeveen. Images of the camera are used with permission from Marco at Schouten. I can send more details and new images.NO VALUE SPECIFIED
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Hallo zusammen, ich bin gerade dabei mir eine digitale M zuzulegen. Hier ist mir ein 50er Cron von 1998 mit angeboten worden. Jetzt weis ich nicht, ob dieses Glas besser/anders/wie anders abbildet, als mein 1961er Cron von meiner M3. Sind die Unterschiede (soweit vorhanden) so sifignikant, dass sich der zusätzliche Erwerb des 1998er Cron rechnet/anbietet/aufdrängt? VG jnero
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Paris 20e, pl. Gambetta; M240 50 'lux pre-Asph LTM
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I recently purchased a brand new unopened 50 summilux f/1.4 asph lens in silver and when I unpackaged it I noticed a clear liquid on the outside barrel of the lens. I was able to wipe it off but wondered what it was? And whether I should exchange the lens for a different one? Inside the lens it looks fine at the moment and not sure if liquid would have seeped inside. Just wandered if anyone had a similar experience. I want to make sure nothing is wrong with the lens since I spent 4K on it.
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I am a bit lost with what i have read about the radioactive summis. What is the deal with them? Are they more trouble than they are worth because of the browning? How about resale? Do people avoid them?
