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Found 7 results

  1. From the album: Film

    Leica MP, 35 mm Summicron ASPH, Kodak Pro-image 100. Lab developed, home scanned on a Noristsu LS-600.
  2. From the album: Film

    Leica MP, 35 mm Summicron ASPH, Kodak Portra 160. Lab developed, home scanned on Noristsu LS-600.

    © Steve Till

  3. From Millenium Bridge, London. Leica MP 35mm summicron asph Ilford XP2
  4. I just got my M9 on Monday and, as a novice to both rangefinders and Leica, well what can I say? You're all extremely fortunate! My lens choice was mostly influenced by the opinion of Steve Huff and Ken Rockwell. So I went for a used 35mm Cron and a new 50 Lux. But I'm surprised now many advise against this on this forum, preferring a 28 alongside a 50 (not that I see anything wrong in this). Me, I'm enjoying the combo immensely: 35 just feels "right" and it's scope allows you to tell a story or convey intimacy - It feels like you're placing the viewer in your shoes. Yes the fifty's focal length is not so different, but IMO it feels completely diverse, as though it's more detached, producing contemplative studies rather than documenting events. In this respect the low-light ability is perfect on the Lux as it allows for those candle lit portraits than merit prolonged scrutiny. I know it's not wise to generalize but this is how I'm using these lenses. I think this is all the glass I'll ever need. Anyone else had the same experience? ... or disagree completely!
  5. Hi guys I recently did a road trip around New Zealands East Cape. Leica M9, M6 and M3.....yes too many cameras I know... Shots taken with the 35 Cron, 50 Lux and 15 VC SWH. The East Cape Road Trip Cheers Jason
  6. Was on business trip to Bandung and had about 2 hours to spare before heading to airport, decided to go for a walkabout near the hotel I was staying in. Not really a scenic place, but some interesting people and activities. Taken with M9 with mainly 35mm summicron IV pre-asph and some 21mm elmarit asph
  7. Comments and critics welcome. M9 + Cron 35mm ASPH @ f2
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