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Found 71 results

  1. One of the listed buildings in Wolfsburg, Germany, the city of "VW"
  2. Leica SL Summilux M 35mm f1.4 ASPH https://www.signsofafrica.com/latest.html
  3. The WIld Hunt , german Wilde Jagd describes the 12 days/nights between christmas and the 6th of january and its "spiritual meaning". The older people are counsel caution and to me it is the time to look to the sky and nature and have some good times outside 😀 (Even Johnny Cash had a song about this...)
  4. Hallo erstmal, ich habe ein Problem mit Farben der DNG-Files in Lightroom und Capture One. Zurzeit habe ich eine Teststellung einer Leica SL (FW 3.3) mit dem 24-90mm und dem 50mm/1.4. Letzte Woche hatte ich Outdoor das erste Probe-Shooting. Unabhängig von der tollen Handhabung und allem anderen an der Kamera, war ich doch etwas überrascht, als ich mir die Bilder später in Lightroom (neueste Version LR Classic 2019) anschaute. Die JPEGS-Files klasse. Vom Farbtone sehr nah am Original (zumindest was mein Auge sah). In der Kamera alles auf Standardwerte gelassen. soweit so gut. Die RAW-Files (DNG). Alle einen leichten aber sehr auffälligen und unnatürlichen Farbstich ins Rot/Orange. Die (Leica) DNG habe ich direkt nach LR importiert, also keine Umwandlung in Adobe-DNG. Kein Filter oder anderes als das Adobe-Standard Preset. Geschaut ob es ein Leica-Kamera Preset gibt, wie z.B. bei Nikon oder Olympus. Gibt es nicht. Das Bild mal in Capture One überprüft. Selbes Phänomen. Wieder Farbstich beim DNG. Gut jetzt könnte ich selber nach regeln, aber es ist schon sehr auffällig, wie unnatürlich das RAW/DNG gegenüber den JPEG aussieht. Kenn ich von anderen Kamera her nicht. Wir haben ca. 500 Bilder an diesem Tag gemacht. Ist bei fast allen Bildern, das selbe Phänomen. Egal ob nun mit Schal um den Hals herum oder nicht. Auch der Weiss-Abglich stimmte m.E., denn die JPEGS sehen ja alle sehr harmonisch aus. Das Model ist eher der blasse Typ gewesen, aber nicht mit diesen oranger Teint, wie auf dem DNG. Nun habe ich schon mal in anderen Foren gesucht, und was über Color Problem bei den DNGs aus der Leica Q und S gelesen. Ist das hier das selbe Problem? Oder muss ich mich umstellen, dass alle Leica RAWs (DNG) einfach einen leichten Farbstich haben? Ich wollte eigentlich ein neues System kaufen, wo ich nicht erstmal auf Fehlersuche gehen muss. Oder gibt es einen Tipp von Euch, wo mein Denkfehler ist? Danke schon mal und viele Grüße aus dem Norden P.S. Die Beispielbilder sind unbearbeitet, auch nichts an der Helligkeit/Kontrast etc. geändert.
  5. A trip through the Democratic Republic of Congo Leica SL + Summilux M 21mm f/1.4 + Summicron M 90mm f2 https://www.signsofafrica.com/latest.html 1. Barge on the River Congo 21mm
  6. First pictures meeting two other guys and taking some pictures. Leica SL with 16-35 #1
  7. Hi All SL-users! I have had my SL for some months and used mostly M-R lenses with the adapers and the 24-90 Zoom which covers most situations. The system is heavy, but once you get used to it, -you start wondering why not use lenses of your 645 cameras:)? I have the Contax 645 lenses and wonder if anyone has found suitable adapter to use these on the SL - even if the AF and some other functions might be lost? Some time back there were still companies which made tailor-made adapters, but I have learned that we are maybe past those times?;) However, there are individuals who are keen to solve problems and I remember someone making an AF-unit of Nikon's 16A-teleconverter, which was not that difficult after all... Even the Photokina exhibition might have revealed something on this front? So, -please, share any of your experience and of this topic? if there are any:)? br Hans
  8. A couple of days ago, during the Workshop I am leading here in Asturias, we were talking about Tuscany and its amazing landscapes: I immediately started thinking about the beauty of this land in the fall, and realised once more that I can't wait to be back there very soon! This is Val d'Orcia, photographed during a Workshop I led there in November 2017. Leica SL, Leica APO-Vario-Elmarit-SL 90-280mm and Formatt-Hitech Firecrest filters. Thank you for viewing, best regards Vieri
  9. Curious to know if Panasonic has improved the quality of the view finder over the Leica SL. More specifically, what bothers me about the SL finder is: 1. When under exposing the image by more than a stop the blacks become very milky and you can't see much detail in the shadows (Often required to prevent highlight clipping) 2. It’s not very bright causing difficulties in bright conditions 3. Difficult to judge focus unless magnifying the image (I have 20/20 vision)
  10. Seljalandsfoss is one of the most famous and photographed waterfalls in Iceland, most known for being photographed from behind the water. Since I like to go to Iceland in winter, both for my Workshops and for my personal work, that is never possible: the access to the waterfall's back is closed due to the snow. This, however, opens up new creative possibilities to portray this amazing waterfall surrounded by icicles and looking like it's digging in the snow. Black & white, for me, was the obvious choice for this. Leica SL, Voigtlander 15mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  11. Feeling minimalist today: "Morning mist", taken during a Workshop I led in Tuscany (Italy) in October 2017. Leica SL, Leica APO-Vario-Elmarit-SL 90-280mm and filters Formatt-Hitech Firecrest. Thank you for viewing, best regards Vieri
  12. Iceland in winter is amazing, looking for ice and snow patterns on the black sand at Reynisdrangar is extremely inspiring and makes enduring the cold definitely worth it. We had a great time during my Workshop there last February! Leica SL, Leica Vario-Elmarit-SL 24-90mm @ 24mm and filters Formatt-Hitech Firecrest Ultra. Thanks for viewing, best regards Vieri
  13. A burning sunset sky over the Racetrack, a 20-seconds exposure taken in amazing Death Valley (CA), USA, during a workshop I led there last winter. Leica SL, Leica Vario-Elmarit-SL 24-90mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  14. Grüezi mitenand So nun komme ich nicht mehr weiter und möchte eine Frage in die Runde werfen. Liegt es an mir, an der Kamera, einer Einstellung oder am Transmitter. Das Kameraupdate ist auf dem aktuellen Stand Warum, warum nur löst meine SL (Typ 601) den Transmitter nicht aus ??? Beide Transmitter funktionieren einwandfrei, habe diese soeben mit mein anderen Kameras (Nikon) getestet. Besten Dank und sonnige Grüsse René
  15. Anyone know of an aftermarket replacement eyecup or workaround for the Leica SL? Mine has had its plastic innards self-destruct and is peeling away, as you can see here. Leica Store Miami didn’t know of any solution other than sending to Leica USA for repair (yuck), and they usually take forever for anything.
  16. A bleak and beautiful winter sunset at Reynisdrangar, taken during a Workshop I led in Iceland last February. Leica SL, Leica Vario-Elmarit-SL 24-90mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  17. This advert is COMPLETED!

    • For Sale
    • Used

    For sale is a Leica Apo-Summicron-SL 75mm f/2 asph in pristine condition. It comes in all its splendor with both caps and sunhood, the original packaging, and a Cokin Pure Harmonie ultra thin filter. The lens was originally bought in March 2018, so there are four months of warranty left.

    3,575.00 EUR

  18. M Kenya

    The Typist

    Staff at Yangambi Research Station often worked without pay or equipment to preserve Central Africa's largest collection of dried plants 15% of its 150'000 specimens are so rare, that they can only be found here - DRC Congo October 2018 Leica SL + LEICA SUMMILUX-M 21mm f/1.4 ASPH
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