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Found 53 results

  1. Hey everyone, I wanted to create a bit of a fun competition. Given the scary times we are all living in, Halloween this year will be spent in our homes and probably there wont be any trick or treaters. That is why its a perfect opportunity to share your “scariest” shots. These can be shots of scary subjects, scary edits or simply creepy shots you have taken. Rules: Must be taken with 28-35-50-75-90mm lens One post per person (if you are going to post a second one please specify on the second post that it is indeed a second post) All type of photography is allowed Winners will be picked by the amount of likes on individual posts (I’m open to suggestions If you have any) Good competition to everyone cant wait to see your best shots.
  2. Time Left: 5 days and 10 hours

    • For Sale
    • Used

    Leica M 28mm 2.0 ASPH Summicron schwarz (11604) Kompletter Lieferumfang: Schachtel, Köcher, Deckel, …. Zustand: Sehr Gut. Minimale kaum sichtbare Gebrauchsspuren am Gehäuse. Linsen sauber. Kein sichtbarere Staubeinschluss. versicherter Versand bei Vorkasse, bei Paypal würde ich die Gebühren zum Kaufpreis addieren. Der Verkauf erfolgt unter Ausschluss jeglicher Gewährleistung.

    2,200.00 EUR

  3. THIS ADVERT HAS EXPIRED!

    • For Sale
    • Used

    A like new Leica 28mm F1.4 Summilux for sale, complete with box. US $5800. Preferably US sale.

    NO VALUE SPECIFIED

  4. Hi, does somebody own a Leica Summicron-M 1:2/28 Edition "Safari" or has seen real life pictures? I’d love to see additional pictures of the lens except the one official photography that’s spread all over the web.
  5. Hello Everyone, I'm talking about one of my favourite focal lenght, 28 mm. I'm loving it for street for sure, but also for landscape. I really want to know if for landscape purpose there any appreciable difference betwenn 28 mm elmarit and 28 mm summicron. I mean, for landscape i usually shot at f 8 or something like that, I would like to shoot on m10, and the most important thing in this kind of photo for me is sharpness. Is the price difference worth ? Can anyone post some landscape photos taken with both lenses? Thank you all and have a nice day, Paolo
  6. Hello All. I have a Summicron 28mm 2.0 Aspherical Lens. The model on the lens is "4068358" Does anyone have info about this specific version? Thanks, Michael
  7. THIS ADVERT HAS EXPIRED!

    • For Sale
    • Used

    Bought from in March 2018 (still under warranty) but hardly used as the 28mm frame lines in my M10 are very hard to see as I wear glasses (am disinclined to get a .85x mag). A very reluctant sale as this is a gorgeous lense. It is in near mint condition, not often used, has been stored in a drybox since purchase, and has had a protective filter fitted since new. Includes original box, leather case, lens hood, HOYA filter, and original front & rear caps plus aftermarket front & rear caps. Copy of original receipt available if required. Postage / insurance etc extra if not a local sale.

    2,450.00 EUR

  8. This advert is COMPLETED!

    • For Sale
    • Used

    One Thorsten von Overgaard black lens shade for 28mm Summaron lens (lens and camera not included!) Plus: One Heliopan 34mm UV filter for Summaron 28mm Lens One Heliopan 34mm Yellow filter for Summaron 28mm Lens Both filters fit on lens under Thorsten's shade (plus shade also has built-in 39mm thread) £145.00 plus Postage free to the UK/EEC

    NO VALUE SPECIFIED

  9. My 1st M6 film shot, here goes with analogue!
  10. Just wanted to share my first impressions of the mini 28mm f5.6 summaron lens: I wanted to get this lens for street photography ever since it came out and finally pulled the trigger. I was a little skeptical of its output having seen both good and bad shots on reviews with the lens, but wanted first hand experience and to finally scratch that 28mm daido moriyama itch. After the opening a nice black box and admiring this silver jewel for a moment in my hand, I quickly attached it to M10 and went searching for some test shots on a clear but cloudy day. I shoot my film M/A at f5.6 on bright sunny days so wasn’t worried by its lack of low light capabilities. The reverse position of the focusing tab takes some getting used to, really not very hard, and for closer subjects you need to take a step back than what is normal for other lenses, as you need more distance to bring things in focus. But from the moment I started snapping away I felt the same wonder and joy that you do with other Leica lenses. After an hour or so of taking photos this is what I noticed most: the center of this lens is very sharp but not in a clinical way; there is a smoothness to images; some shots do not produce vignetting but some do which, gives it the “classical” feel and really sets off objects in a cool way; its kind of an unpredictable lens which i like and comes down to personal preference; color accuracy was very good and no different than my 50mm summilux & 35mm summicron; the size of the lens is perfect for adding a 3rd lens to my small leather street bag. Overall, I’m very pleased with my decision to get this lens. Not only imbued with a piece of Leica history but also very capable of producing cool images in daylight conditions. I personally think this is one of those special lenses to own that captures unique qualities rather than the clinical kind you find everywhere else. Unlike, with other leica lenses where i expected images to be great, i was expecting this one to be less so, but was proven wrong. It really is a great little lens and has exceeded my expectations. Thank you Leica for making this!
  11. The Royal Palace in Aranjuez, Spain. M240, 28mm Elmarit-M ASPH.
  12. Guten Tag zusammen. Ich habe mal wieder meine alte Leica m6 ausgepackt und zurück ins Leben geholt. Alles funktioniert soweit noch einwandfrei, bis auf den Bildfeldwähler. Ich habe ein Summicron 50mm Objektiv drauf und der Bildausschnitt von 50 + 75 mm wird auch im Sucher angezeigt. Der Ausschnitt 35 + 135 mm wird beim zur Seite bewegen des Hebels auch sichtbar. Nur der Ausschnitt 28 + 90mm zeigt sich beim nach innen bewegen des Hebels nicht. Es bleibt der 50 + 75 mm Ausschnitt zu sehen. Hat jemand schonmal von diesem Problem gehört und weiß was die Ursache dafür sein könnte. Dr Google konnte mir bis hierhin leider nicht weiterhelfen... liebe Grüße und danke im Voraus!
  13. Fotografiere mehrheitlich Landsachaften. Nun möchte ich ein 28mm Objektiv anschaffen. Die Frage ist welches? Elmarit oder Summicron. Ich denke ich mehme das mit dem besseren Mikrokontast. Gibt es hier Unterschiede?
  14. I'm selling my 21mm Super Angulon f/4 M mount in favor of something a little more "practical". While in Cuba earlier this year, I found myself using the Zeiss 28mm f/2.8 on my Contax G2 quite a bit but for my next few trips, I'll bring only a couple of M bodies (M7 & Typ 246). I really love the results that I got out of my Zeiss and am wondering if I should go with another Zeiss (25mm f/2.8 or 28mm f/2.8) OR a new-ish 28mm Elmarit ASPH. So my two questions are "is the Elmarit ASPH quality worth more than double the price of a used Zeiss 25mm or 28mm?" and "In order to keep my work consistent, should I just stick with the Zeiss 28mm f/2.8 for the way it renders colors?" Examples of my work in Cuba with the 28mm f/2.8 on the Contax G2 below. Both photos with Portra 400.
  15. I just love the 28mm Elmarit ASPH II. Can't find an image thread for this wonderful lens, hence this thread. Feel free to post
  16. Wondering if other 28 Lux owners have come across this problem: play in the focusing ring that results in a 'dead spot' when switching focus direction. My copy of the lens currently has about 3mm play where I can move the focusing ring left-right, in the focusing directions, but it does not result in any change of focus (doesn't engage the helicoid). The ring feels entirely disconnected before it pushes against something underneath it. If I keep turning the ring once it 'engages' it then changes the focus as it should. It also moves freely in the north-south directions (if focusing is east-west). Recently I noticed a faint rattling sound of something like a loose small screw or ball bearing when changing the orientation of the lens. This happened all within the span of about a day a little while ago and have kept using the lens, in part due to reluctance to be without it for up to two months for servicing. Initially it was a very slight wobble that was annoying enough on its own, but quickly got much worse with the much greater and more annoying dead spot, as mentioned, of about 3mm. While I'm not the gentlest with my gear, I don't recall any specific incident that may have damaged the lens. I'm the second owner of this copy, received in nearly mint condition back in June 2016, and have used it fairly regularly since then. I thought it might be bad luck but this has now also happened to a friend's copy (that I have not touched ), which seems too coincidental...
  17. Ein kleiner Nachtspaziergang durch WF....
  18. I already have a 21 CV, 35 Cron ASPH, 50 Cron, 85 Zeiss, 135 Elmar. However I use the 35mm almost all the time. I like the versatility of a 35mm and I hate changing lenses while on the field. Lately, I enjoyed shooting landscape, and I'm thinking of getting a wider lens than 35mm. Main question: Is it practical to have a 28mm despite already having a 35mm? Subquestion: Given my lens line up, I'm considering the 28mm Elmarit ASPH 2.8 or should I get the CV 15mm heliar III?
  19. Hi All, I recently just purchsed the Leica M10 (upgraded from the M240), and would like to seek your advice on which of the 2 lenses above I should get. I have attached the following list of bodies and lenses that I currently have. M10 M6 Konica Hexanon 60mm F1.2 Leica 50mm F2 Summicron APO Leica 35mm F2 Summicron Version 2 (8 elements) I shoot with my digial M 95% of the time (well I did only just recently purchased the M6) with my 50APO. I plan on using the 8 Elements more on the M6 for Black and White photography. So now that I am looking to add a wide angle lens, which of the 2 would you recommend? I know many people say that it's best to pair a 28mm with a 50mm, and a 24mm with a 35mm; and that 28 would work better if I wish to shoot some street + landscape, whereas the 24mm will be better for pure landscape. But do both lenses render really differently? Is it that much more convenient knowing that u do not need an EVF for the Elmarit? Could the Elmar be used for some street photography as well? And since the 28mm is much newer, does it have something the other doesn't? I would really appreciate if those of you who own / have used both lens could let me know your thoughts on both lenses performance wise, and which would you pick if you were me. Thanks a bunch! Cheers, Jeffrey
  20. First of all, hey y’all. This is my first post on the Leica forums. I’ve been a photography hobbyist for a while now and have been browsing the last few months for what I think would be my perfect camera set-up to start saving up for. After quite a few weeks learning the ins and outs of pretty much every camera body under the sun, I think I’ve finally settled on the M3. I love the all-mechanical body, the brass casing, and the quiet shutter—so far I only have one concern. My focal length of choice is 28mm, and occasionally 35mm. Does anyone have much experience using 28mm glass with an M3 body? I am not opposed to using an external viewfinder, but I’m worried that it would sort of interrupt the pure, smooth, and ‘invisible’ sort of experience I’m hoping for with a Leica. I know Joel Mererowitz used wider focal lengths back in the 60s and 70s, does anybody know if he was using an external viewfinder or if he just knew his machine well enough to estimate?
  21. kodaktrix

    Ballett

    Ich habe auch mal wieder Lust etwas zu zeigen. Leica M8.2, Elmarit M Vers. II, 28mm, F2,8 Gruß Oliver
  22. What is the story on this lens? Not much to read and review about it ... see it is a reboot ... I want a wide angle lens for a different look and wondering if this is the one?
  23. Hi all, a brief announcement that I’ve just finished work on my second self-published book of photographs. Captured with the M Typ 262 and 28mm Elmarit-M (version IV) during a week’s travels through the North of Italy, the book presents 32 black and white photographs ranging in subject matter from people to places both natural and constructed. I’m really proud of how this project has turned out. The book is printed on thick 170gsm uncoated stock, with the covers being an even heavier 300gsm. The size is somewhere between compact to standard at A5 (210x148mm), which gives each print enough room to breathe without feeling cramped. Also exciting is that, working with a professional printer who works at reasonable prices, I’ve been able to price the book at just £15 + shipping. For those who are curious to know a little more, I’ve written a bit more on the back-story on my blog. You can also watch a trailer that I produced for the book here. Finally, if you’d like to pick up a copy, please slide on over to my online shop to do so. Thanks kindly for your interest, and happy shooting!
  24. Hallo zusammen, ist es normal, dass beim Elmarit-M 28mm (Version III mit 49mm Filter) der Blendenring so locker ist, dass man ihn 5mm vor- und zurückziehen kann, so dass er sich ohne Rastung drehen lässt? Wenn der Blendenring normal vorne anliegt, lassen sich die Blenden mit Einrasten wählen. Wenn man den Blendenring zur Kamera hin nach hinten zieht, dreht er frei zwischen kleinster und größter Blende durch. Hier im Video sieht man es besser: Ich bin nicht sicher, ob das so muß. Hintergrund: ich hatte das Objektiv nur kurz, es war dann ein paar Wochen wegen eines anderen Schadens in der Werkstatt und eigentlich sollte es jetzt in Ordnung sein. Oder hat da jemand vielleicht vergessen, den Blendenring richtig festzuziehen? Hat jemand das Elmarit-M 28mm III? Wie ist es bei euch? Vielen Dank für eure Meinung, Chris
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