Dan Bachmann

Leica M10, Voigtlander 35mm Ultron LTM

I don't hate any of them either. Adan captures my thoughts exactly. I went from M9, skipped the 240 - it just didn't feel right to me - and went for the M10 when the M9 sensor started to corrode the 2nd time. I prefer the natural light/always on view finder of the M9 and the colours/contrast a little more than the M10, but the M10 is an improvement on everything else.

One that has been used to promote a drawing/painting session earlier this year. In 2020 have made more live modeling for artists than photography, but there is a connection - I can control the lighting. This was taken with a Leica M10 on a tripod using reflected daylight. For the sessions I use video lights indoors.

Paris, Leica M9, 35mm f1.7 Voigtlander Ultron LTM

Ritsuko and a bridge, Brugge, Belgium Leica M9, 50mm Summilux pre-Asph

Covent Garden area, Westminster, London Panasonic GX-7, Leica-Panasonic 15mm f1.7

Van Gogh Museum, Amsterdam Leica M10, 50mm Noctilux f/1.0

The Rosetta Stone, British Museum, London you can tell by the crowds it is pre-Covid Leica M10, 28mm Elmarit ASPH

BOD0, Norway Leica M10, 50mm Summilux pre-Asph

opps, just saw it is now July

Kyoto at night Leica M10, 50mm Noctilux f1.0

Lilly Leica M10, Canon 135mm f/3.5 LTM

pomme pomme pomme pomme Beethoven symphony French humorous street art, Lyon, France Leica M10, 28mm Elmarit ASPH

My companion camera to an M10 is a Panasonic GH5 mainly for video needs, but also as a backup or where having a zoom is handy like on a hike with friends. I have an M lens adapter, plus there are native Leica lenses for it so I can still play here with what it produces

riding a bicycle Leica M9, Voigtlander 35mm Ultron LTM