leica_m-a_silver_frontAfter 14 years Leica Camera presents again a rangefinder film camera – the Leica M-A. The feature set is identical to the still available Leica MP but it doesn’t have exposure metering, battery or any electronics at all.

The Leica M-A isn’t completely new: A stainless steel version of the Leica M-A was part of the Leica M Edition 100 introduced during the inauguration of the new Leica HQ in spring.

The Leica M-A will be available in black or silver chrome from authorised Leica dealers starting October 2014. The price in Germany is 3,850 €, international prices will be announced later.

Leica M-A Forum Discussion


Pre-Order Leica M-A

Leica M-A Black US Dealer

Leica Store Miami

Leica M-A Silver US Dealer

Leica Store Miami



Leica M-A in Silver and Black

The different colours of the Leica M-A come with different engravings: The silver chrome version of the M-A displays its origins in the engraving on its top plate, only much closer scrutiny of its completely matt black counterpart reveals the discreetly engraved Leica script on its accessory shoe. Both versions have no red Leica dot.


Leica Monochrome Rumors Solved!

Over the last months rumors told about a new Leica Monochrom. Perhaps they were based on the Leica M-A, which is out the box “black and white only”: It is supplied with a Kodak Tri-X 400 black-and-white film 😉

And before you ask: The Leica M-A is will not replace the Leica M-P or Leica M7, there are no plans to phase out other models.

Leica M-A Forum Discussion

Here are images of the Leica M-A, technical data and the complete press release:

Technical data LEICA M-A (Type 127)

Camera type Leica M-A (type 127) compact, 35 mm rangefinder system camera with a mechanically controlled shutter
Lens mount Leica M-Bayonet
Lens system Leica M-Lenses,16–135 mm
Exposure control Manual setting of shutter speed and aperture with values from an external exposure meter or by estimation
Flash exposure control
Flash connection Hot shoe – accessory shoe with centre contact
Synchronisation On first shutter curtain
Flash exposure control Computer control by the flash unit or guide number calculation and manual setting of the required aperture value
Viewfinder principle Large, bright, combined bright-line viewfinder with automatic parallax compensation
Eyepiece Adjusted to –0.5 dioptres; correction lenses available for –3 to +3 dioptres
Image field framing By projection of pairs of bright-line frames for 28 and 90 mm, 35 and 135 mm, 50 and 75 mm lenses; automatic display of corresponding frames when lenses are locked into the bayonet mount
Frame selector Lever enabling alternative frame pairs to be displayed in the viewfinder without changing lenses (e.g. for framing comparisons)
Parallax compensation The horizontal and vertical differences between the viewfinder and lens axes are automatically compensated for in relation to the focusing distance
Concordance of viewfinder and film image The bright-line frame size corresponds to an image size of approx. 23 × 35 mm at the minimum focusing distance for all focal lengths; focused at infinity, and depending on the focal length, approx. 9% (28 mm) to 23% (135 mm) more will be captured on the film than is shown in the corresponding bright-line frame
Magnification 0.72× (for all lenses)
Long-base rangefinder Coincident and superimposed image rangefinder, shown as a bright field at the centre of the viewfinder image
Effective rangefinder base 49.9 mm (mechanical rangefinder base 69.25 mm × viewfinder magnification 0.72×)
Shutter and shutter release
Shutter Horizontal rubberised-cloth focal plane shutter; extremely low noise; mechanically controlled
Shutter speeds From 1 s to 1/1000 s in one-stop increments, B for exposure times of arbitrary length
Shutter release Standard internal thread for remote-release cables
Film loading, advance and rewinding
Loading Manual loading after removal of the base and opening the rear flap
Film advance Manually, with rapid wind lever or Leicavit M; motorised, with Leica Motor-M, Leica Winder-M, Leica Winder M4-P or Leica Winder M4-2 (from article number 10 350)
Rewinding Manual, pull-out rewind knob after disconnecting the advance mechanism with the R-lever on the front of the camera
Frame counter On camera top plate; automatically reset when camera baseplate removed
Camera body
Material One-piece full-metal body with rear flap; top deck and baseplate in brass with black or silver chrome finish
Tripod bush Thread A 1/4, DIN 4503 (1/4″)
Rear flap/features Reminder dial for film sensitivity
Dimensions Approx. 138 × 38 × 77 (length × depth × height, in mm)
Weight Approx. 578 g
Package includes Body cap and carrying strap

The pinnacle of mechanical technology: LEICA M-A

The precision tool for lovers of decelerated photography

With the Leica M-System, Leica Camera AG, Wetzlar, is one of the few manufacturers still producing both analogue and digital cameras. In this, the company can draw from decades of experience in the construction of the finest precision-engineered cameras. Now – 60 years after the first Leica M rangefinder camera, the M3, left the factory to significantly change the world of photography – we have chosen the occasion of this anniversary to present a new analogue model: the Leica M-A.

As a purely mechanical rangefinder camera, the Leica M-A stands for a return to photography in its most original form. Without reliance on a monitor, exposure metering or batteries, photographers can explore entirely new creative horizons. Because, with a camera reduced to only essential camera functions, users of the M-A can now concentrate entirely on the essential parameters of subject composition – namely focal length, aperture and shutter speed – and on capturing the decisive moment.

From its shutter-speed dial and the aperture ring on the lens to the characteristic rangefinder focusing principle – the technical specifications of the Leica M-A are essentially based on the currently available analogue Leica MP. All of its precision-engineered components and functions are designed and constructed for absolute robustness and a long working life, and are housed in a painstakingly hand-built metal body. This ensures that the Leica M-A, as a product with particularly enduring value, brushes aside every challenge with absolute dependability.

The visible elements of the Leica M-A are as timeless as the precision-engineered principles employed inside it. For example, the Leica red dot was omitted to emphasise the classical simplicity of its design. Seen from the side, the Leica M-A is significantly slimmer than its digital counterparts.

The camera can be supplied in a choice of two different finishes: the classic appearance of the silver chrome version carries forward the traditions of 60 years of Leica M design. In the black chrome alternative, the M-A is reminiscent of the style of the M Monochrom and sets new standards in unobtrusiveness and discretion. While the silver chrome version of the M-A displays its origins in the engraving on its top plate, only much closer scrutiny of its completely matt black counterpart reveals the discreetly engraved Leica script on its accessory shoe.

Each Leica M-A is supplied complete with Kodak Tri-X 400 black-and-white film, which is also celebrating its 60th anniversary this year. Since its appearance on the market in 1954, its unmistakeable look, exceptional sharpness and tonal gradation, extremely broad exposure latitude and very good shadow detail made this black-and-white film a firm favourite and the classic medium for art and reportage photography.

The Leica M-A will be available from authorised Leica dealers starting October 2014.

About The Author

Andreas is Photo Engineer and lives in Bonn, Germany. He runs the international Leica Forum, the Systemkamera Forum (about CSC cameras) and the Fuji X Forum. Google+


  1. ” with a camera reduced to only essential camera functions, users of the M-A can now concentrate entirely on the essential parameters of subject composition”

    Hmmm – wasn’t that the same reason for automating cameras with computers – to allow photographers to concentrate on the picture and be released from the technical aspects of operating the camera?


  2. As the owner/user of a pair of M4-P bodies and an MD2, I’m both amazed and delighted with this announcement. Of course the surprise is the omission of a built-in meter. However, Ken Rockwell mentions that you only need a meter for colour work. I use XP2 which is remarkably flexible exposure-wise, so I tend to guess.

  3. This camera looks a lot like the M3. I’m saving money and am eager to buy one!

  4. […] Leica m-a – purely mechanical – leica forum blog […]

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