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otho

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  1. Lux 50 asph on A7R3: corner color casts, yes, but very little; corner smearing, not at all. Lux 50 asph on A7R3 is a very good performer, but I'd prefer APO 75 & 90 on that body. The 50/1.4 has a some field curvature wide open on A7R3. I'm not trying APO 50, but many reports excellent results with A7R3.
  2. Sorry, accidentally doubled post.
  3. According to DxOMark, even many native FE Sony / Zeiss lenses have poor resolution on A7R body (especially FE 50/1.8 and some zooms) or have some problems with distortion and aberrations (e.g. FE 28/2). Even the new Sony FE 35/1.8 have some troubles on A7RIV. In general, the best results with A7RIV will be from Sony GM prime lenses, Zeiss Batis and so on and - I think - APO-M 50, 75, 90, 135. I use APO 75 & APO 90 on A7RIII (42 MP without Kolari MOD) - both leness are super sharp, any aberrations etc. Focusing is easy thanks to magnification and focus peaking in EVF. M-lenses wider than 50mm for me are unacceptable on A7RIII body. I think that APO 50 - 75 - 90 - 135 are superb also on 61MP's A7RIV (I planned to buy one after real users reviews appears).
  4. Of course, there are some exceptions, like Tri-Elmar WATE on Sony A7x...
  5. With A7R3 I use only M APO 75&90 with superb results (sharpness, microcontrast, colours etc. are great). Wides M lenses under 50mm are generally not so great or even ugly on Sony bodies.
  6. This is for the people like that (for him it's a quite normal price)
  7. OK, that's sounds logical. I have both tele APO, because I often take Super Elmar 18 and Cron 35 asph with APO 75 - or Cron 35, Lux 50 asph with APO 90. Having 75&90 is more universal for me in different situations.
  8. I also have both APO 90 & 75 and use in combination with Cron 35, Lux 50 or 18mm lenses. Definitely both tele are great...
  9. Sensor in Q2 is made by Tower Jazz, a Panasonic subsidiary.
  10. I use APO M 75&90 on A7R3. Flawless results, crisp images with top notch microcontrast and bokeh. I really enjoy this combo not only in M system. These lenses easisly give spectacular results on 42MP resolution sensor. On the other hand, wideangle M lenses (below 50mm) on A7R3 are usually (not always) weak.
  11. I had Summarit 90/2.5 - equally perfect mounted on M or A7R3, but I traded it for APO 90 few years ago because super sharpness, sweeter bokeh and overall improvement. But it's heavier and significant bigger (off course more expensive too)...
  12. 35 cron (new) + 75 APO. Sometimes Lux 50 asph (fle).
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