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Which good B&W PC-monitor would you suggest?


BjarniM

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I'm gonna need a new monitor for my PC, since my old Dell monitor doesn't do justice to the excellent files from my Typ 246 Monochrom.

 

I don't shoot color pictures at all, so there's no need to spend extra money on a monitor with great color reproduction - it must be good to replicate B&W from a Typ 246, nothing else.

 

A good monitor size for my workspace is around 24 inches, plus/minus an inch is also ok for me. I don't care how it looks or which brand it is, as long as it does a great job as a B&W monitor for my editing.

 

Any suggestion(s)?

Edited by BjarniM
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Usually the screens which do color really well are also good for B+W. Take a loot at the Eizos. If you don't need color calibration you can save some money if you chose a model without inbuilt colorimeter. Than again it's better to have it calibrated even for B+W work! I can recommend the Eizo ColorGraphic range of monitors, see here.

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The main consideration is that the screen is calibrated even for B&W work because B&W images should be done in RGB anyway. The idea of Greyscale and zero colour is a dumbed down travesty of B&W photography, so just try calibrating the monitor you have to Adobe RGB.

 

 

Steve

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Suggest you begin with your budget and the screen size you prefer.....there aren't any duds for either brand that I'm aware.  

 

As with every part of the workflow, gear doesn't ensure great results; it's more about your skill and abilities in using the gear to best effect.  But especially if you print a lot, and have a disciplined workflow from camera to printer (to print display), then a good monitor is an important link in the chain.  A good monitor will give you greater control if you understand how to set it up and use it to your advantage...and the best brands should be reliable and maintain specs over a long period of time.

 

The higher priced machines within each brand will not only offer higher specs (gamut, resolution, low glare, screen consistency and reliability, etc), but will generally incorporate calibration software/hardware tools.  I generally recommend that folks buying NEC get a machine with built-in Spectraview software.  As a Mac desktop user, however, I've come to learn that Apple doesn't always keep up with Spectraview when releasing O/S upgrades....again, it's all a chain.  Eizo has some models that have hardware calibration fully built in, but they are pricey.

 

It all comes down to your needs and preferences....and budget.  I print regularly, and invest a lot in printing materials and supplies, so a few extra dollars in a good monitor is worth it over the long run.  My 7 year old NEC MultiSync LCD2690WUXi is still going strong.  When it dies, I may choose an Eizo, but it depends what's offered at the time.  I haven't kept up with all the current model numbers, but there are a lot of online reviews and discussion groups that should help.  

 

Jeff

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My suggestion is that you could buy a newer Dell monitor.

 

 

Steve

Not sure about that, Steve. Those Dell monitors are not even across the screen. Some parts have different contrast. On a colour image you might get away with it, for black and white it is a real problem.

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Not sure about that, Steve. Those Dell monitors are not even across the screen. Some parts have different contrast. On a colour image you might get away with it, for black and white it is a real problem.

 

I don't find it a problem and I don't feel I am 'getting away' with anything with a colour image. If you have a monitor in this day and age that isn't even across the screen it is a fault, not a characteristic.

 

 

Steve

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  • 3 weeks later...

...any specific Eizo and NEC models in mind?

 

Multisync is a broad name covering several product lines. The monitors in the PA series are excellent, available at several sizes.When I display a test image of 256 gray squares bounded by absolute black borders, the separate squares are distinct all the way through, although my eyes cannot really tell the difference in darkness between adjacent squares.

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