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IIIg + film = New England


M9reno

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I've just returned from vacation in Boston and rural Maine and Vermont and have developed most of my colour rolls.

 

Development was in my new Jobo.  Incidentally - using the 1-litre Tetenal kit worth £16.59 on 12 rolls, made it the most economical development for me ever, as well as no scratches or dust.

 

Film was Ektar 100, now my established favourite, but this time competing with Cinestill 50 and Portra 160 and 400.

 

The kit was my grandfather's old IIIg with my main lens a new (to me) first-version LTM 50mm Summilux.  A small risk, as I had not tried this lens on film before buying it a couple of months ago, but I thought what the...

 

Got some funny looks along the way, but also a few who could recognise an old Barnack.

 

Also along were a couple of other LTM lenses and a Viso II, which received a bit less use.

 

Thanks for looking!

 

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Action in Fenway Park, Boston - Red Sox beat Seattle.

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Lots of jumping and people-watching in the mountain 'swimming-holes',

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And again... !

 

 

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Sunbathing in Maine.  The Summilux comes in handy.

 

 

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Interesting Monarch butterfly behaviour.  This is not the Viso, but still the old Summilux, on Portra 160, close crop,

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Sunrise in America, from the easternmost mountain of the easternmost state.

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Lots of spectators at the sunrise, lots of cameras...  Again Summilux in action.

 

 

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Some nice light around dusk.

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Landscapes, still Summilux, behaving very creditably.

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One of my other lenses was the 28 Summaron, here in downtown Boston.

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And a Thambar (90mm), not the ideal lens for landscapes and travel, but I felt lucky.  At small apertures it is a versatile landscape lens.

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In a public parking lot in Boston - a beautiful machine, and I could not resist.  Summilux.

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