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Architecture Details


Neko

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That depends on how close you shoot, how much of the building you want to fill the frame and how close you can get to what you want to capture.

 

I use everything from 16-90mm.

 

Generally a 35 or 50 Summilux gets what you need.

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 Thanks for the answers folks,

 

   I´m currently working on a rural architecture project in Spain and Japan. So far I have been shooting with my MM and a 35 Summilux FLE as my only lens. The project focuses mostly in architecture details: Doors, windows, decorative elements........ Japan and Spain villages have in common narrow streets and some times I feel the need of a wider angle lens. Thinking about the SEM...Quite the opposite, when I have enough distance and want to isolate a  subject I miss a longer focal length. Thinking about the 50 APO...The dilemma is which one will arrive first. The 90 Macro-Elmar is in my radar too.

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I would say that 90 mm is a nice focal length for architectural details in general. There is no need to buy a new lens either. Each and every 90 mm design by Leica since 1930 has been excellent.

Personally I would go for the Elmarit 90.

But admittedly the Macro-Elmar is light and small for travelling.

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You won't go far wrong with either the 90mm Elmarit or Macro-Elmar.  The Elmarit has an extra stop over the Macro-Elmar, though this may not be important to you.

If you are shooting decorative details, the ability to get down to 1/3 life-size may be a deal-maker.

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 Thanks for the suggestions,

 

 If I pick a 90, the Macro-Elmar will be. As Mark says, the ability to get down to 1/3 life-size is a great advantage when capturing tiny details. A PC lens is tempting too. I have made a small research and  have come to the conclusion that the The Canon TS-E 24mm f/3.5L II may be a better choice than the PC-Super-Angulon-R 28/2.8. The Super-Angulon does not tilt, only shifts. The Canon 24 can be mounted on the MM using a Canon camera to set the aperture. As I happen to have a Canon 5D Mark II, the The Canon TS-E 24mm f/3.5L II could be a good option. 

 Anyway, I have the feeling that the 50 APO will arrive first.

 
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A lens with mimimal distortion will work well. As other posters above the 90 works well. I myself use the Elmarit-M To capture perspectives of buildings and other landmarks. Of course if you are too close a 21 or a 50 may also be required.

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I shot quite a few photos of the homes and buildings in Old Town, Alexandria, using the 90 Elmarit. However, I used a Tiltall tripod and a cable release for all the shots, and most were taken at f5.6

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35 Summilux

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50 Elmar Collapsible

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That depends on how close you shoot, how much of the building you want to fill the frame and how close you can get to what you want to capture.

 

....

That's the main factor when you speak of DETAILS... so that sometime even a 560 (and with a little crop) can be the right choice...

 

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