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| Tags: cars, film, purist, racing, shot |
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#1 (permalink) |
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Moderator
Join Date: 06/21/06
Location: Airstrip 1 - 53:17:00N 03:04:00W
Posts: 8,085
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M2/35 Summaron/100 Astia
(Note the dream-like quality of the 50 year old lens) Oulton Park, Sunday
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#2 (permalink) |
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Moderator
Join Date: 06/21/06
Location: Airstrip 1 - 53:17:00N 03:04:00W
Posts: 8,085
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The more I look at this picture (and others I have taken with it), the more I think that this old lady has qualities unmatched in modern lenses.
One doesn't need clinical, scalpel, ASPH sharpness every time. Sometimes, a little bit of "character" adds something to a photograph. Not necessarily this one, but I shall persevere with this lens and this film. (Paris at the beginning of October coud be a good test...) With a more naturalistic subject, I think this combination could work very well. (So, if you come across a French image which is soft in the corners, it may well be mine )
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#3 (permalink) |
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Erfahrener Benutzer
Join Date: 06/04/05
Location: Kings Park, NY (Long Island)
Posts: 153
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M2 and 35mm f/2 Summacron - Yes they work well together.
I'll hop into the car on the left-you take the red one and were off. Nice photo ! |
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#5 (permalink) |
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Erfahrener Benutzer
Join Date: 06/29/06
Posts: 2,881
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Andy,
The image from the Summaron does seem very soft to me, more so than I'd expect, more like a Summar image. Is it an older LTM version or an M fit lens? Have you posted any other photos from it? Cheers |
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#6 (permalink) |
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Erfahrener Benutzer
Join Date: 05/09/06
Location: Wirral
Posts: 462
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I'm I sucker for them old racing cars & your right about the quality of the lens. I want one!
Dave.
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If at first you don't succeed, hide all evidence that you tried. |
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#7 (permalink) |
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Erfahrener Benutzer
Join Date: 12/25/03
Location: Madison, Wisconsin
Posts: 3,649
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I totally agree with you about the lens. It's why I love my old 35 f1.4. There is a "glow" you can't get with the new razor sharp versions.
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Brent |
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#8 (permalink) | |
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Moderator
Join Date: 06/21/06
Location: Airstrip 1 - 53:17:00N 03:04:00W
Posts: 8,085
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Quote:
It's a very early M one, but without the specs. It doesn't bring up the 35 frameline on my M2. http://www.leica-camera-user.com/lan...carry-3-a.html http://www.leica-camera-user.com/peo...ands-pump.html I had a couple that must have been on the old forum too - one of which was of my wife mashing potatoes. It will be visible on andybarton.com/2006
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#9 (permalink) |
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Erfahrener Benutzer
Join Date: 07/19/06
Posts: 1,577
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andy again - inspiring photo for me, as a racing and car feack.
about the lens.. oh those lenses are amazing with their character. i now it from the photos of my granffather and my father. but im sure that on slide u just see the magic of those far better than on computer :-) i think i will buy a couple of lense like this in 50mm and 35 (although im not big fun of 35) when in nyc or europe or any oportunity in israel. currently i have a vinatge leitz elm 90mm only. summilux 755 and noctilux (that i dream to have) also have dreamy and magical qualities but very different of course from the vintage lenses. i just love the way those lenses (vints) make the like glow as if the light is "holy" :-))) very powerful when the photo is successful. everybody who is concerned about the mtf garf power of leica lenses - forget about it - trust leica they will do their best. if one wants to really apriciate leica then look at the character of the lenses - vintage, old and most recents :-) ah - forgot to mention... when u make a darkroom b/w print with old lenses - it is really amazing, although not eassy to do. u can reach a look that gives u impression as if the photo painted with rough graphite pencil. especially if u develop the film in rodinal and print it on ilford mg5k
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| ViC | in the mOod of Fotography Last edited by vic vic : 09/01/06 at 06:03 PM. |
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