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Trade in M9 for M240


Einst_Stein

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What seems interesting to me in M240 is the capability of the movie mode and the R adaptibility and live review. It is hard to tell how much I would really use those yet.

 

I have thought about those features for a while, but never reached the point to take actual move. To get almost the same capability, I can simply get a Canon 5Dx or 6D, and it only cost more or less $2k. yes, it will mean one more camera bodies, a clumsy extra, but I am OK to see the bright side to take it as a spare system.

 

I am looking for no more than $2K for this project, but I guess it is not possible.

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…and better battery, better weather sealing, faster processor and fewer reported issues.

 

The shutter is both quieter (less re-cock noise) and smoother release action. And the frame lines are better both because of internal illumination (and red/white color selection) and optimization for 2m (vs 1m for the M9).

 

It's better as an RF camera….quieter and more robust...even if one never uses video, EVF or LV. And even if LV isn't used for pics, it's useful for quick camera/lens focus calibration checks.

 

Jeff

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…and better battery, better weather sealing, faster processor and fewer reported issues.

 

The shutter is both quieter (less re-cock noise) and smoother release action. And the frame lines are better both because of internal illumination (and red/white color selection) and optimization for 2m (vs 1m for the M9).

 

It's better as an RF camera….quieter and more robust...even if one never uses video, EVF or LV. And even if LV isn't used for pics, it's useful for quick camera/lens focus calibration checks.

 

Jeff

 

Jeff, I've read this 1m optimization before but have no idea what it means. Can you please tell me how '2m' is better than than 1m?

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Jeff, I've read this 1m optimization before but have no idea what it means. Can you please tell me how '2m' is better than than 1m?

 

FAQ

 

As explained, frame lines can only be accurate (optimized) at one distance. It's not that 2m is 'better' for everybody, but for most like me who tend not to shoot 'close up' most often, the 2m distance allows more of the intended scene to fall within the respective lines.

 

People certainly can learn and adjust to to whatever Leica uses, but I prefer when the tool helps provide a better starting place or, shall we say, 'frame of reference'. For me, Leica got it right with the 2m lines on the M8.2, and figured that out with the new M240 after using 1m for the M9 (the M8 was .7m)

 

BTW, this should not be confused with the 2m distance that Leica uses for the virtual distance of the focusing patch.

 

Jeff

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You probably could split the cost difference by selling wisely and searching for a deal on the M (maybe for a demo with warranty). Comes down to personal preference and perceived value.

 

Or, you could hang out in humid climates, clean your sensor often, and regularly check for delamination. :)

 

Jeff

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FAQ

 

As explained, frame lines can only be accurate (optimized) at one distance. It's not that 2m is 'better' for everybody, but for most like me who tend not to shoot 'close up' most often, the 2m distance allows more of the intended scene to fall within the respective lines.

 

People certainly can learn and adjust to to whatever Leica uses, but I prefer when the tool helps provide a better starting place or, shall we say, 'frame of reference'. For me, Leica got it right with the 2m lines on the M8.2, and figured that out with the new M240 after using 1m for the M9 (the M8 was .7m)

 

BTW, this should not be confused with the 2m distance that Leica uses for the virtual distance of the focusing patch.

 

Jeff

 

Thanks Jeff. So, am I right in thinking then you just get more image within a frame at less than 2m?...and really, it also kind of gives you a 'margin of error' in your compositional frame?

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You probably could split the cost difference by selling wisely and searching for a deal on the M (maybe for a demo with warranty). Comes down to personal preference and perceived value.

 

Or, you could hang out in humid climates, clean your sensor often, and regularly check for delamination. :)

 

Jeff

 

It seems your are over exaggerated. No, the difference between M and M9 is not worth thd trouble of selling, searching, buying. The time and efforts will be better used to take more pictures.

 

Are you working or living in jungle?

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It seems your are over exaggerated. No, the difference between M and M9 is not worth thd trouble of selling, searching, buying. The time and efforts will be better used to take more pictures.

 

Are you working or living in jungle?

 

What are you talking about? I don't care one iota if you switch or not, nor was I making any such case. By split the difference, I simply meant that IF you decided to switch, you could probably do it for about $3000, in between the $2k and $4k you mentioned.

 

The humidity comment was strictly in jest. Get it, "Einstein"?

 

Jeff

Edited by Jeff S
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Thanks Jeff. So, am I right in thinking then you just get more image within a frame at less than 2m?...and really, it also kind of gives you a 'margin of error' in your compositional frame?

 

You could look at it that way, although people who tend to shoot closer, with more accuracy, may prefer the older .7m frame lines. There's no right or wrong, only what gives your comfort. Some think this is much ado about nothing, even quite humorous. The 2m lines work best for me. YMMV.

 

Jeff

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The framelines of the M9 and M Monochrom work out for me- I use an 85mm lens with the 75mm framelines, and a 100mm and 105mm with the 90mm framelines.

 

With CCD vs CMOS- M8 vs M9, etc- stick with the camera that gives you the results that you like using a process that you are happy with. I don't like spending time processing the image after it is taken, prefer putting the work into "pre-processing". With the M Monochrom, selecting a color filter and lens. With the M9- picking the lens for it. I have a lot of lenses, takes some processing time to select one.

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