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In defence of the CCD sensor in the Leica M Cameras


mikeleng

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The CCD sensor will be the last in a Leica M.

 

and the M9 was the first FF digital rangefinder, that's good enough for me to keep my M9.

Oh by the way, the D200 was also the last camera with a CCD sensor from Nikon IIRC.

I am keeping that one as well in good working condition. :)

 

Leica M9 (sic) + APO-Telyt-R 280/4 + UV Filter

(focused with Sony NEX-5N camera, Novoflex Adapters; yes, the adapters are that good!)

456004d1410051554-black-mesa-nm-processing-variations-l1000543_wo_geometric_correction_1024x681_b-w.jpg

 

100% Detail Crop

456005d1410051554-black-mesa-nm-processing-variations-l1000543_wo_geometric_correction_1024x1024_b-w_crop.jpg

Edited by k-hawinkler
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and the M9 was the first FF digital rangefinder, that's good enough for me to keep my M9.

Oh by the way, the D200 was also the last camera with a CCD sensor from Nikon IIRC.

I am keeping that one as well in good working condition. :)

 

Leica M9 (sic) + APO-Telyt-R 280/4 + UV Filter

(focused with Sony NEX-5N camera, Novoflex Adapters; yes, the adapters are that good!)

456004d1410051554-black-mesa-nm-processing-variations-l1000543_wo_geometric_correction_1024x681_b-w.jpg

 

100% Detail Crop

456005d1410051554-black-mesa-nm-processing-variations-l1000543_wo_geometric_correction_1024x1024_b-w_crop.jpg

 

 

not to be that guy, but the D200 was not the last Nikon dSLR with a CCD, not even close, there were at least 3 models after it that had one, 4 if u count the D2Xs(a warmed over D2X)

the D60, D80 and D3000(this being the final CCD dSLR from Nikon released in 2009)

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not to be that guy, but the D200 was not the last Nikon dSLR with a CCD, not even close, there were at least 3 models after it that had one, 4 if u count the D2Xs(a warmed over D2X)

the D60, D80 and D3000(this being the final CCD dSLR from Nikon released in 2009)

 

Thanks for the correction. That's good to know. :o

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Hello Mike & Karl Heinz,

 

Nice photos all.

 

Karl Heinz: What are the larger "sunburst" like things & what are the little white spots?

 

Best Regards,

 

Michael

 

 

Thanks Michael. larger "sunburst" like things? My guess switched on strong street lights.

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Good initiative Mike! I chose this one for your celebration of the M9, because it was made in a hot and humid China (it is my second sensor, not because of delamination and it is now 2 years in use) and because I don't believe that the M240 can produce such honest, true and beautiful reds (so easily). 35mmFLE.

(Colors are a bit less here because of saving for web; you can see it better here: http://lotwouda.zenfolio.com/p360675604/h16759cc9#h16759cc9 )

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Edited by otto.f
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Great thread. I have no interest in a CMOS sensor digital M (perhaps I'm a luddite). My M9 and MM are just tremendous in terms of image quality. They're all I need and more.

Long live the CCD.

Rich

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A recent MM image. Nikkor 35mm 1.8 LTM, f/8 at 1/2000.

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not to be that guy, but the D200 was not the last Nikon dSLR with a CCD, not even close, there were at least 3 models after it that had one, 4 if u count the D2Xs(a warmed over D2X)

the D60, D80 and D3000(this being the final CCD dSLR from Nikon released in 2009)

 

The D2x and D2xs used a CMOS sensor.

 

Nikon | Imaging Products | Nikon D2Xs

 

They were also the first nikons to encrypt data in the .NEF files and hide behind the Digital Millenium Copyright Act to push use of their own software to decode it. I think Nikon backed down. The D3000 has a CCD sensor.

 

I prefer CCD's as they output an analog signal without on-chip dignal processing applied. The latter allows over-sampling, lower noise and can extend dynamic range via processing. The CCD delivers raw image data, unprocessed. With that stated, the sensor on the D4 and Df is good, and there is a monochrome version of the same sensor that is used in a Nikon microscope camera.

 

This is with a 1949 Nikkor 13.5cm F4 in Leica mount, wide-open on the M Monochrom. Straight export to JPEG,

 

15262026255_6a9b8aa4ee_b.jpgNikkor 13.5cm F4

 

and 100% crop,

 

15075460747_2507d69642_b.jpgNikkor 13.5cm F4

 

Whatever assumptions Nikon made about flatness of film in the 1940s, they seem to apply to Digital cameras as well.

Edited by Lenshacker
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Leitz 5cm F1.5 Xenon circa 1939, wide-open on the M9. ISO2500, 1/30th hand-held.

 

15382014358_58f879e4cf_b.jpgMarine Museum, Xenon

 

And a 1934 Zeiss 5cm F1.5 Sonnar,

 

15382136417_59ee53fdc4_b.jpgMarine Museum, Quantico

 

I was doing a Super-Speed Shootout, although the results may be about 75 years late to be a hot topic.

 

I've always found the ISO2500 to be perfectly usable, these are straight exports from DNG to JPEG with LR3.

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I've always found the ISO2500 to be perfectly usable, these are straight exports from DNG to JPEG with LR3.

 

Unbelievable! I am beginning to think you have a speciial copy of the M9. My 2500ISO shots can't be published I 'm afraid.

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In that case you tend to underexpose them, many people do. Properly exposed 2500 shots are fine on the M9. Good noise reduction in post processing helps too. It does mean you must expose to the right to have some photons to work with ;).

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Unbelievable! I am beginning to think you have a speciial copy of the M9. My 2500ISO shots can't be published I 'm afraid.

 

Thankyou- Not a special copy, and just default noise reduction in LR3.

 

This "ISO2500 Equivalent" shot is using the Raw mode of the M8, ISO160 shot at 4 Stops underexposure, Arvid's M8RAW2DNG software, and then post-processed.

 

14470625147_c35caeb74b_b.jpgskate4_ISO2500

 

Leica M8, Minolta 50/1.4 wide-open. I did a side-by-side comparison of the M9 at ISO 2500 and the M8 using Raw mode. Having those 6 extra bits of data is really important for high-ISO shots, I never use DNG-8 on the M8 or M9.

Edited by Lenshacker
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