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Expensive Paperweights


Jennifer

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In another thread it's been suggested that now that I've acquired an APO-Summicron 50 my Summilux 50 asph will become little more than an "expensive paperweight". That got me thinking, how many of us here own costly lenses we never use but can't bring ourselves to part with?

Edited by Jennifer
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.... how many of us here own costly lenses we never use but can't bring ourselves to part with?

 

Surely lot of us...provided that NEVER is not intended rigorously... Many by sure have some lens that use time to time just for they HAVE and LOVE it...:cool:...not because they NEED that specific lens...

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My 35 Summilux ASPH, a 40th birthday present from my wife, sits in a drawer while its 'elderly' Summaron 2.8 brother shoots around the world. But I have never sold a present, and the two lenses are so different that I can't bring myself to sell. I also shoot a lot of film, which amply justifies having the extra two stops of speed. Maybe using the Summilux should be my resolution for 2015?

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Well, as i did not use it 'that' much, i sold my 28mm cron asph in the last 12 months to soften the blow in purchasing my M240. Although this left me with my other 28mm, an elmarit asph. Although 'generally' adequate, for people, i preferred the 28mm cron, so i have to say, i have regretted parting with it.

Now, i have in the last couple of days, also taken delivery of a 50mm APO cron and will definitely NOT be parting with my other 50mm lenses, a lux and f1 nocti. Each of these, for me, says something sufficiently different to warrant that i retain them, even if i only use them 'occasionally'.

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In another thread it's been suggested that now that I've acquired an APO-Summicron 50 my Summilux 50 asph will become little more than an "expensive paperweight". That got me thinking, how many of us here own costly lenses we never use but can't bring ourselves to part with?

 

Firstly, camera enthusiasts cling to gear like it is Gollum's gold ring in "Lord of the Rings", photographers look at them strictly as tools that help them attain a vision, if something is not being used, it could either be a backup or will be sold.

 

Secondly, that is the way I work and I sold off most of my Leica gear once a project was done. I chose to keep one M3 on which I use a single Leica lens, the 50mm 1.4 Asph and 99% of the time shoot Tmax 400...I would be an idiot to sell it or replace it with the Apo Summicron and lose a stop of much needed speed.

 

I just don't get this need to cling to gear....if you are not using it, then sell it and use that money for travel, a good charity, etc.

 

At some point this year, I am going to Cuba with my M3/50 asph and 50 rolls of Fuji Provia 400X and that's it, those are the only tools I need for this project and the work will be spectacular, guaranteed.

Edited by KM-25
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I think it depends on how often you use, how much they mean to you, what you might do long term and your photography trends change. I am shooting a lot with wider glass at the moment, recording a journey as we start to refurbish an old house, I haven't put a 50mm on for a while (Christmas I did to be fair and a recent shoot of a new born for a friend) but I could argue that several lenses are under under utilised (I don't have 35!!!) but the most popular today won't be the same tomorrow.

 

If you really like the lens keep it is my rule of thumb, if you simply don't get on with it for whatever reason and you don't see that changing move it on ;)

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Are we assuming that Leica lenses require more justification for their ownership than do other possessions?

Is this because of their cost/value or because they are a mechanical object originally intended for use, or maybe for both these reasons?

So what about other expensive possessions such as jewellery, watches, designer garments and shoes, wine collections, art objects etc?

It doesn't seem that collections of these luxury items require any justification by those that possess them, nor the validation of frequent usage.

So why should this be expected of lenses? Seems irrational.

Incidentally, I have a collection of very pretty, antique Boston & Sandwich "End of Day" paperweights. They just sit around and I notice them occasionally,

mostly when I'm dusting. They never actually weigh down any paper and I never feel the need to justify their existence by making them do so.

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I have some older Leica lenses that rarely ever see use. I keep them as backups in case the ones I normally use need service or get stolen. Even with the runup in prices over the last few years, these user-cosmetic lenses wouldn't bring in a fortune if sold. I ran out of GAS on lenses years ago and am satisfied with the one's I have. All the major money I've chucked into Leica gear in the past couple decades has been for bodies. I kept my original 2 M4's but otherwise have sold the rest as I upgraded.

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In another thread it's been suggested that now that I've acquired an APO-Summicron 50 my Summilux 50 asph will become little more than an "expensive paperweight". That got me thinking, how many of us here own costly lenses we never use but can't bring ourselves to part with?

 

I have my third 75lux now because of this type of reasoning and I hope I learned my lesson now and just keep it. Most of my Leica lenses I traded in led to regret, e.g. the APO-Elmarit 180 R, what a shame, the Macro-Elmar 90, etc. Thus far I do not regret trading my 50lux asph for my 75lux, but that is because I'm not really a 50 man. As a paperweight I can think of better lenses than the 50lux, for instance some Noctilux.

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Seems irrational.

 

 

Of course! This is the Leica user forum! Since when does rational come into play when one owns tens of thousands of dollars in 50mm lenses for a manual focus, far from state-of-the-art camera?[emoji4]

 

Thinking about it, you could probably buy every 50mm lens for every 35mm camera in production for the cost of a single 2/50 APO Leica lens. Nah, that's not irrational![emoji1][emoji1]

 

Cheers,

Michael

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I fail to see the pertinence of this judgement. In fact, I don't even know what this phrase might mean in the broad context of Photography. Isn't it really just marketspeak?

 

Not voting for hair shirts here either,

s-a

 

In the context of photography it has no meaning. I'd say that if we are saying the photography is art, then rational (and therefore irrational) has no place.

 

In the context of technology, the M is far from technologically state of the art. Rational and irrational do have a place in technology.

 

I would say that state of the art in marketspeak is implying that a new technology will make a difference to your art, which we all know is bollocks.

 

How about hair shorts?

 

Cheers,

Michael

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